Posts Tagged: Seven Inch single


Greetings, it’s time to celebrate Friday in the only way we know how and this time a selection of tunes that I own on seven inch vinyl, and which I will be playing at the forthcoming Dreams Never End club…   

First up, and from that brief post-Teardrops period when the great Julian Cope was signed to Island Records and he’d set the controls for the heart of the charts.  World shut your mouth, shut your mouth, Put your head back in the clouds and shut your mouth….

Julian Cope - World Shut Your Mouth

You want pure unadulterated rock n roll?  Look no further that “Action Time Vision”. If this one doesn’t get you leaping about then you should check your pulse….ATV…A equals action, T equals time, V equals vision and the four boys crack, In ATV, V, V, V, V…

Alternative TV - Action Time Vision

Elvis Costello - (I Don’t Want To Go To) Chelsea

According to the vinyl single, this song is a mere 2 minutes and 3 seconds, but can you think of a better way to spend 2 minutes and 3 seconds?…..

The Specials - Too Much Too Young

Last on, and another punk classic.  You better leave town if you only want to knock us, nothing stands the pressure of the Clash city rockers…

The Clash - Clash City Rockers

Have a great weekend.


Psychic TV - Godstar


This is a story, a very special story.

It’s about Brian Jones, one of the Rolling Stones.

In a parallel universe, not far from ours, this song was a massive hit.  One of the defining songs of the 1980s.  Alas it was not to be.  It got to 67 in the UK chart in 1984.  First a bit of background…

You probably don’t need me to tell you that Psychic TV emerged in 1981 from ashes of Throbbing Gristle.  In some dictionaries Throbbing Gristle are *the* definition of punk, and are certainly more punk than much of what got the punk tag.  Throbbing Gristle invented industrial music, did everything independently, didn’t care what anyone thought of them, and gave their audience the whole punk package: shocking visuals, confrontation with a capital C, extreme lyrics, and they generally made a bit of a racket. Now, following a series of reissues, many critics and punters love them.  At the time it was a different story. Anyway that’s another story for another day and is also a long winded way of saying that I still marvel how the person who gave us ‘Hamburger Lady’ with Throbbing Gristle, could - and did - go on to make Godstar.  

Psychic TV, featured Throbbing Gristle’s main man Genesis Breyer P-Orridge (born Neil Andrew Megson). Genesis was quite the pioneer.  One of the first I can remember to go in for body piercing, an early exponent of acid house and techno, and - with Psychic TV - he actually went as far as starting his own occult order.  Were you a member of ‘Thee Temple Ov Psychick Youth’ perchance? None of which prepared anyone for the simple pop genius of ‘Godstar’.  For a start it bears no relation to either Throbbing Gristle or indeed Psychic TV for that matter.  You can enjoy its anthemic pop simplicity (and a great video too) here.

Genesis is touchingly sincere…

And you were so beautiful, you were so very special,

I wish I was with you now, I wish I could save you somehow. 

…and ss the song reaches Brian Jones’ final moments Genesis wonders….

Where were all your friends that night

as you switched off the final light?

I saw your body in the water

Like a lamb going to the slaughter

As I write this I actually struggle to think of a better pop song - or at least one that came from such an unlikely origin.  What other examples are there of classic pop songs from unlikely artists? 

By the by this incarnation of Psychic TV also included Alex Fergusson who is one of those characters who seems to add a bit of magic to projects he is involved with, including what I would argue was the golden age of Alternative TV, and not be confused with him what manages Manchester United FC (would be great if they were one and the same though eh?).


Champion Doug Veitch - Not The Heart


Do you remember Champion Doug Veitch?  He achieved some prominence in the mid 1980s.  He also had a run of six consecutive NME singles of the week.  I believe this is a record.  One of them was this one….

Not The Heart b/w Guilt Edged

And what a marvellous thing it is.  Champion Doug Veitch styled himself the ‘King of Caledonian Swing’ which is probably underselling his oeuvre.  Each track was some sort of combination of dub, reggae, country, and Scottish Folk.  ’Not The Heart’ features of all these and a bit of yodelling for good measure.  I think part of what makes this tune so marvellous is the input of esteemed dub maestro Mad Professor at the production controls.  This one will put a smile on your face and quite probably get you skanking about the place.

I’ve got the ‘Jumping Into Love’ single too.  I’ll be ripping that one sometime soon.  A much sought after vinyl compilation entitled ‘The Original’ was released by the wonderfully named Bongo Records in 1989.  Remarkably, at the time of writing, this album is available to buy on iTunes for £7.99. 

Hearing this single again - which has one of those covers that can be unfolded to make a Champion Doug Veitch poster - made me wonder whatever became of him.  After some intensive online research I can now reveal Champion Doug Veitch was born Douglas Veitch in 1960 in Hawick in Scotland. His music was, as mentioned, a trailblazing polycultural mix of dub, reggae, country, and Scottish folk music, years before such cross-cultural mixing became common pop currency.  

In 1985, he co-founded the label DiscAfrique with his colleague Owen Elias, which was one of the first world music labels in the United Kingdom, releasing records by The Bhundu Boys, Orchestre Baobab and The Four Brothers amongst others.  In 1989, he released an album of Scottish dance music with his wife under the moniker Martin, Doug and Sara.

After drifting out of the music industry Veitch took a PhD in Woodland Management.  Recently he has returned to music, reuniting with Bhundu Boys guitarist Rise Kagona under the moniker Culture Clash.  The duo released the album ‘Tanzwa Neku Tambura: We’ve Suffered Enough’ in 2007. 

Now you know.